VIEWER COMMENTS

"...Thank you! I wish every American citizen could hear what you have to say... especially the 20 something year olds who have never known another system other than the brainwashing of the last three presidents. A wonderful presentation, I have already watched several times, so that I too, am armed with the knowledge you have provided. Keep doing what you do, we need to hear the TRUTH! Thank you again."
                                                          --Debra Johnson, YouTube comment

 "A fascinating video!"
                         --Conservative Women's Forum

"Hooray for Donald Trump, the Deprogrammer-in-Chief and the Master Realist who will make America realistic again! And hooray for Larry Jarvik, who is his prophet!"
                                                  —Dr. James R. Kurth
Claude R. Smith Professor of Political Science (emeritus)
Swarthmore College 

"Outstanding!"
              --David Stephenson

 "...A great film, without extremism and prejudice, I congratulate the author."
--Antoni Rams

 "I agree 100% with the film. Like in the old TV commercial: 'Thanks, America needed that.'"
                                                                        --Anonymous viewer
"Thank you thank you thank you... while everything is upside down, maybe we have hope. Especially like @25:00 the Laboratories of our Universities and the effect...Sick and tired of this 2nd wave feminism and I am a Grand Mother."
--Joni Job, YouTube comment

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Biography of Filmmaker Agustin Blazquez

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Agustín Blázquez Biography Agustin Blazquez was born in Cardenas, Cuba. He left Cuba on July 18, 1965, and lived in Montreal, Paris and Madrid before arriving in the U.S. in 1967.  Blazquez graduated from The Municipal Academy of Dramatic Arts of Havana in 1962.  Although the single curriculum available was termed "Dramatic Arts", he began his acting career before graduation by performing on radio, TV and in theater. Anecdote :   Before graduating, he and a fellow graduate purchased a Keystone 16 mm camera because 16 mm was the only film stock available in Cuba at that time.  With the two reels of stock they were able to find to purchase, they produced two films for the sole purpose of obtaining the experience.  They had no access to editing equipment, so the productions were shot in sequence.  Due to the lack of everything from equipment to opportunity in post-revolutionary Cuba, they were able to view the films only once.  There was no means to screen
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